Dynamic temporal behaviour of the keyboard action on the Hammond organ and its perceptual significance.
Identifieur interne : 000A56 ( Main/Exploration ); précédent : 000A55; suivant : 000A57Dynamic temporal behaviour of the keyboard action on the Hammond organ and its perceptual significance.
Auteurs : Giulio Moro [Royaume-Uni] ; Andrew P. Mcpherson [Royaume-Uni] ; Mark B. Sandler [Royaume-Uni]Source :
- The Journal of the Acoustical Society of America [ 1520-8524 ] ; 2017.
Abstract
The Hammond organ is one of earliest electronic instruments and is still used widely in contemporary popular music. One of its main sonic features is the "key-click," a transient that occurs upon note onset, caused by the mechanical bouncing of the nine electric contacts actuated during each key press. A study of the dynamic mechanical behaviour of the contact bounces is presented, showing that the velocity, the type of touch and, more in general, the temporal evolution of the key position, all affect different characteristics of the contact bounces. A second study focuses on the listener's perception of the generated sound and finds that listeners can classify sounds produced on the Hammond organ according to the type of touch and velocity used. It is concluded that the Hammond organ is a touch-responsive instrument and that the gesture used to produce a note affects the generated sound across multiple dimensions. The control available at the fingertips of the musician is therefore such that it cannot be easily reduced to a single scalar velocity parameter, as is common practice in modern digital emulations of the instrument.
DOI: 10.1121/1.5003796
PubMed: 29195432
Affiliations:
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Sandler</name><affiliation wicri:level="4"><nlm:affiliation>Centre for Digital Music, Queen Mary University of London, London, United Kingdom.</nlm:affiliation><country xml:lang="fr">Royaume-Uni</country><wicri:regionArea>Centre for Digital Music, Queen Mary University of London, London</wicri:regionArea><placeName><settlement type="city">Londres</settlement><region type="country">Angleterre</region><region type="région" nuts="1">Grand Londres</region></placeName><orgName type="university">Université de Londres</orgName></affiliation></author></analytic><series><title level="j">The Journal of the Acoustical Society of America</title><idno type="eISSN">1520-8524</idno><imprint><date when="2017" type="published">2017</date></imprint></series></biblStruct></sourceDesc></fileDesc><profileDesc><textClass></textClass></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">The Hammond organ is one of earliest electronic instruments and is still used widely in contemporary popular music. One of its main sonic features is the "key-click," a transient that occurs upon note onset, caused by the mechanical bouncing of the nine electric contacts actuated during each key press. A study of the dynamic mechanical behaviour of the contact bounces is presented, showing that the velocity, the type of touch and, more in general, the temporal evolution of the key position, all affect different characteristics of the contact bounces. A second study focuses on the listener's perception of the generated sound and finds that listeners can classify sounds produced on the Hammond organ according to the type of touch and velocity used. It is concluded that the Hammond organ is a touch-responsive instrument and that the gesture used to produce a note affects the generated sound across multiple dimensions. The control available at the fingertips of the musician is therefore such that it cannot be easily reduced to a single scalar velocity parameter, as is common practice in modern digital emulations of the instrument.</div></front></TEI><pubmed><MedlineCitation Status="PubMed-not-MEDLINE" Owner="NLM"><PMID Version="1">29195432</PMID><DateRevised><Year>2019</Year><Month>11</Month><Day>20</Day></DateRevised><Article PubModel="Print"><Journal><ISSN IssnType="Electronic">1520-8524</ISSN><JournalIssue CitedMedium="Internet"><Volume>142</Volume><Issue>5</Issue><PubDate><Year>2017</Year><Month>11</Month></PubDate></JournalIssue><Title>The Journal of the Acoustical Society of America</Title><ISOAbbreviation>J Acoust Soc Am</ISOAbbreviation></Journal><ArticleTitle>Dynamic temporal behaviour of the keyboard action on the Hammond organ and its perceptual significance.</ArticleTitle><Pagination><MedlinePgn>2808</MedlinePgn></Pagination><ELocationID EIdType="doi" ValidYN="Y">10.1121/1.5003796</ELocationID><Abstract><AbstractText>The Hammond organ is one of earliest electronic instruments and is still used widely in contemporary popular music. One of its main sonic features is the "key-click," a transient that occurs upon note onset, caused by the mechanical bouncing of the nine electric contacts actuated during each key press. A study of the dynamic mechanical behaviour of the contact bounces is presented, showing that the velocity, the type of touch and, more in general, the temporal evolution of the key position, all affect different characteristics of the contact bounces. A second study focuses on the listener's perception of the generated sound and finds that listeners can classify sounds produced on the Hammond organ according to the type of touch and velocity used. It is concluded that the Hammond organ is a touch-responsive instrument and that the gesture used to produce a note affects the generated sound across multiple dimensions. 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Mcpherson</name><name sortKey="Sandler, Mark B" sort="Sandler, Mark B" uniqKey="Sandler M" first="Mark B" last="Sandler">Mark B. Sandler</name></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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